This year’s Mobile World Congress unveiled an extraordinary range of emerging Android mobile devices that will set the pace of application developers in the coming years.

We are used to detecting hardware, form factors and equipment resources provided by manufacturers. In many ways, mobile designers have learned the job of even adding tools to parts that were not useful at all. Along the way, some of the practices that have been used have been modeled in the branches of mature design, which have been carefully studied and applied sensibly.

However, it is not possible to integrate the project into a kind of framework. In many places, new things are constantly being displayed regarding trends in hardware options. But how are they created? Is it all a universal coincidence? Or a strategic decision that designers make? My hypothesis would be:

What’s odd, despite fast-moving mobile interfaces, never let go of the past. There is a certain erotic awareness of vintage design sounds and the back of the user interface that for some reason will never be forgotten, even if they will never be used again, unless they are rethought and restored. I believe that this accumulation of elements of the past creates the point of reference for the latest discoveries. Something that confirms what we find.

Let’s take a look at what this year’s trends could lead to the design of the mobile user interface for this validation. Visit the best mobile App Developer in Austin.

Sinking of #bezel

For some reason, by the end of 2017, I never called part of my phone a “ring”. It is the appearance of the full-screen phone that has suddenly put all its last predecessors into a nefarious category associated with the bezel. Do you really need this quarter-inch support on your unoccupied screen? Or is it just a marketing pressure that forces you to hate your current luck and plan for the last one?

Whatever it is, all screen-based phones seem interesting and require some changes in the mobile interface: more gestures, borderless display of information that transforms frames into continuous stories and high quality images that attract emotions.

The grained salt

All screens that do not use screens create a fluent experience without breaking the content into logical blocks. Here they also impose content on their form factors. Take a look at the latest smartphones.

Those who have a true experience of all screens have rounded edges that go perfectly well in terms of ergonomics, but in terms of design, the UI designers have some limitations on the ability to integrate elements with sharp edges.

Less shades of gray, more colors and burning processes

Discreet colors have become a fixed element in the flat design paradigm, which has permeated many related design disciplines. Flat minimalism taught us to recognize and appreciate the visual hierarchy and clean UX. This would have been impossible if the liveliness of some elements were evident. But sometimes you have to highlight things. People no longer hide their opinions and are more open than ever.

In a sense, brutality has challenged flat design with arrogance, which in its scorn has been validated. Suddenly, the further you move away from the usual laws of design, the more attractive the design becomes.

In mobile design we can show that mobile user interfaces of all kinds are animated with bright colors. Here, the apartment could be fantastic again.

The but

Although the colors are natural and accessible, they must be used responsibly. There is a brilliant story about Muditha Batagoda in which he broke everything. There are a myriad of contextual color combinations that come to the table and are perceived very personally at the same time.

Non-standard typography

With all the visual elements, the pixel density of the screen and the vividness of the screen, the text remains the most immediate and simple way to deliver a message. Writing is found at the interface between images, text and text. The ability to combine multiple functionality and aesthetics points in user interfaces is the key to design success. Titles and captions can be beautiful and contribute to the design ensemble.

The titles in bold are the discrete attempt of Apple to emphasize the typography while remaining on track. Minimal typography at the same time should give a sound to your interface.

The weight of the Scriptures does not transmit only what they say, but also as they say it.

Being in trends is more than knowing the latest insights. This is a brand that is relevant to many companies that have problems filling their niche. If you stay in the ever-changing design industry, you will not be able to work at the end. The best of trends is that they teach us to keep an open mind, whatever the devil might be this season, and confuse the whole course of nature.

If we can identify, tame and make the most of trends, we can count on creating one of them.

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